Los Angeles County is Taken to Task

Los Angeles County is Taken to Task
AMW !.e. Talent: Dj Single Handed
Oct. 1 2007

I have written several stories about concerts featuring rap artists getting cancelled by venue management due to "offensive music," "security hazards," and other prejudice-driven reasons. I now have the pleasure of writing about one of these firms being taken to task.

Los Angeles County has been hit with an $800,000 lawsuit by Imagine Media Group LLC, a concert promotions firm in San Diego. The Imagine Media-promoted Funkmaster Flex Car & Bike Show was supposed to take place this past August at the L.A. County Fair Association-operated Pomona Fairplex. Along with the car and bike expo, the show was to feature performances, most likely by rap artists like the ones Funkmaster Flex plays in the clubs and on his radio show on New York City's Hot 97.

The lawsuit claims that the concert was cancelled by L.A. County Fair Association COO James Henwood because he finds rap music "offensive." He along with VP of Sales and Marketing Dwight Richards are said to have cancelled the concert "under the guise of unjustifiable public safety grounds."

Imagine Media lost over $800,000 because of the cancellation and are suing on the grounds of First and Fourteenth Amendment violations.

Allow me to explain why this case could be huge if it is taken to court and use the United States Constitution to explain why.

The first amendment prohibits, among other things, laws that infringe the freedom of speech and limit the right to assemble peaceably. I am in agreement that the cancellation of the concert and contractual agreement did violate these rights.

The fourteenth amendment makes the stakes in this case even higher. The Constitution says that "All persons born or naturalized in the United States, and subject to the jurisdiction thereof, are citizens of the United States and of the State wherein they reside. No State shall make or enforce any law which shall abridge the privileges or immunities of citizens of the United States; nor shall any State deprive any person of life, liberty, or property, without due process of law; nor deny to any person within its jurisdiction the equal protection of the laws."

Imagine Media is asserting that their civil rights where violated. The L.A. County Fair Association's decision to cancel the show was made in the same prejudiced spirit as all other organizations canceling concerts with rap artists involved. Equal rights and equal protection should apply even to the purveyors of "offensive" music.

If justice is served in this case, then it should send a message to all the other venues who have reneged on a contractual agreement on the grounds of baseless blanket critiques of hip-hop music. I hope to be the bearer of a good news-filled update in a future column.

Sources: Allhiphop.com, United States Constitution

Rev. Yearwood: Another Victim of Democracy

Rev. Yearwood: Another Victim of Democracy
AMW !.e. Talent: Single Handed
Sept. 15, 2007


On Monday, September 10, the current version of “democracy” in this great country of ours scored another point by breaking the legs of and arresting a voice of peace.

A Congressional hearing on Capitol Hill took place, and one of the attendees was Rev. Lennox Yearwood, the president of the Hip Hop Caucus. According to a televised interview conducted by activist organization Democracy Now!, Rev. Yearwood explained that he was there to report back the results of the hearing to his community. His overarching goal was to make the actions of the government visible to his younger constituents to encourage them to get involved and work within the system, such as registering to vote. He pointed out that many of his younger supporters don’t trust the system to begin with.



YouTube displayed the results of his actions for all to see: he was wrestled to the ground by Capitol Hill police, which resulted in him tearing ligaments in his legs, arrested, and charged with “assaulting an officer.”

The video showed Rev. Yearwood repeatedly asking the police officers who confronted him: “why am I being singled out?” His conduct was not what could be considered by any means of the word “disorderly.” He did not use any form of violence, and he was not showing any form of resistance even when the police repeatedly told him to “stop resisting.” His only resistance came in the form of questioning why the officers were doing this to him to begin with.

I can tell you what he did wrong. He was a familiar face to the police, which he admitted during the aforementioned interview, and known to them as a peace activist. He was wearing a white button that read “I love the people of Iraq.” He is a black man. Let’s put that all together now: a black man known for expressing dissent towards the government. Peaceful tactics or not, that’s still illegal in today’s version of democracy.

Normally, I would feel slightly redundant since this apparently happened almost a week before I’m reporting on it. I just flat out didn’t find out about it until today, Saturday, September 15. I’m a regular viewer of the news, mostly from the networks and newspapers, and I searched on Google for this story. I only found coverage on independent media outlets and people’s blogs. I find it amazing that this injustice didn’t get the widespread coverage that it deserves, but on the other hand, I’m not naïve enough to be surprised.

One thing that I noticed in the video that hasn’t been pointed out in other articles was the arrest of someone else while Rev. Yearwood was on the ground. People started yelling out “Arrest Bush, not the Rev.!” After a few rounds of chants, the camera cut away to a woman in a yellow shirt with a big peace sign being taken away in handcuffs. Though I can’t substantiate it for sure, it looked as though another woman was handcuffed as well.

So folks, this is what democracy looks like. I’m sorry I was unable to bring myself to cover the 50 Cent vs. Kanye West phenomenon (even though I’ve been rooting for Kanye). I just don’t care anymore. There are more important things to worry about. Spread the word, and feel free to leave a comment on this article.

Sources: Democracy Now, Hiphopdx.com, YouTube

The Most Disgusting and Embarrassing Beef of All Time

The Most Disgusting and Embarrassing Beef of All Time
AMW !.e. Talent: Andrea M. White
August 15, 2007


A few weeks ago I wrote and article expressing my admiration for rapper David Banner and the work that he has done and is currently doing for the youth in his Mississippi hometown. And although I do not wish to retract that statement, I do wish that I had known about the statements made between the rapper and political activist and pastor, Rev. Al Sharpton.

Apparently, during an interview with SOHH.com, Banner was asked to comment on the civil rights leader’s plan for protests, calling for public divestment from the music industry until rappers stop using the words “bitch,” “ho” and “nigger” in rap lyrics. This is direct backlash from what I call The Imus Effect and it seems to be turning our political activists against our rappers and entertainers.

In response to Sharpton’s plan for protest, Banner was quoted as saying, “The next time you see Al Sharpton, tell him I said f*ck him and he can suck my di*k, I might change the name of my album from ‘The Greatest Story Never Told’ to ‘F*ck Al Sharpton.” What?! Is he serious? I’m scratching my head as I read on. He continues to talk about how they’re trying to crucify rappers and how Sharpton is a ‘permed out pimp’, etc, etc. The more I read, the more my stomach curls into a knot; and just when I think I can’t take anymore, someone from Sharpton’s camp issues one of the most ignorant responses ever recorded.

Kirsten John-Foy, a self-proclaimed leader of Sharpton’s National Action Network refers to Banner by his real name, Levell Crump, in the following:

“From time to time we do encounter people that have sexual fantasies about Reverend Al Sharpton, but they are always women and Crump’s proposition is a first,” says Foy. “However, in keeping with the National Action Network’s Decency Initiative, I am sure Rev. Sharpton would not call Crump the “N” “B” or “H” word. And, despite Crump’s personal request, I am sure Reverend Sharpton would not call him a f-g--t. He would just pray for him. We at NAN are pro civil rights for everyone, even Levell Crump who has not had a banner year since his debut album in 2003.”

Did I really just read this? Is this a lame joke? This is not only an intellectually weak response, it is an embarrassment that THIS statement is coming from a Civil Rights Organization whose role should be to rise above any naysayer and not wallow with them in times of ignorance.

It’s amazing that African Americans have such a hard time combating crime, violence and poverty but we do such a great job combating ourselves. We are our own worse enemy. We are our own dirty laundry.

Music artists and civil rights leaders and politicians are some of the black community’s most influential communicators of today; and until WE all get on the same page and move in the same direction, 20 years from now they’ll be calling my daughter a ho and we will continue this road to destruction; then who will we blame?

Rock the Vote….Somewhere Else

Rock the Vote….Somewhere Else
AMW !.e. Talent: DJ Single Handed
August 15, 2007

As much as I can’t stand continually writing about this issue, I feel a responsibility to keep on bringing it up since something has to be done about it. Another rapper has caused a show to be cancelled because of a “blanket condemnation of hip-hop” (words used by author of The Hip Hop Generation Bakari Kitwana on a segment with Bill O’Reilly).

Nas was supposed to headline a Rock the Vote concert in Ottawa, Ontario, Canada which was to encourage attendees to vote in the October 10 Ontario elections. The concert was scheduled to take place October 1 at the Ottawa Congress Centre. However, Rock the Vote and student sponsors from Carleton University and the University of Ottawa are looking for a new venue since the Congress Centre no longer wishes to host the event.

Conflicting stories have been given to student representatives from the universities. Spokeswoman Lynne Martichenko said the centre is designed for meetings, trade shows, conventions, and congresses of that nature. A concert would not be suitable for the set-up of the building. This explanation makes the most sense.

Peter Seguin, the vice president of food and beverage, spoke of the Congress Centre’s internal policy banning rappers altogether due to them bringing “an increased security risk” and “a vulnerability that the Congress Centre was not willing to take on.”

Paul Keogh, vice president of client services, reasoned that because Nas’ lyrics “promote gun violence,” the centre could not hold the show. I know that somewhere right now, Bill O’Reilly is smiling. Obviously somebody not only heard his tirade about Nas’ scheduled appearance at a concert at Virginia Tech honoring the shooting victims, but also took it to heart.

Banning one of the most positive rap artists left in the industry is a fantastic idea. O’Reilly cited the songs “Got Urself a Gun” (which was all braggadocio and no actual encouragement of violence) and “Ether” (a battle rap which by nature is all braggadocio and contains no actual encouragement of violence). This type of song makes the occasional appearance in a catalog filled with positive, uplifting songs (see “Black Girl Lost”, “If I Ruled the World”, and “I Can”) and compositions painting unbiased pictures of life on the streets (see “New York State of Mind”, “One Love”, and “One Mic”).

So, where are the songs that actually encourage gun violence? And why on earth would anyone think Nas would be dumb enough to perform “Got Urself a Gun” at a memorial to shooting victims?

Rock the Vote organizers are currently looking for another venue to hold the show in Canada, and Nas is still scheduled to perform at Virginia Tech despite complaints to university officials from families of the shooting victims. Score two victories for the Illmatic one.

The next time a rapper gets banned from a show due to lyrics that promote gun violence, I hope the rapper actually spits lyrics that promote gun violence. Gangsta rap has been out of the mainstream for quite sometime now. Hopefully anti-rap protesters and conservative pundits alike will leave that issue alone and complain about crass commercialism in hip-hop. Now that’s a constructive idea!

Wyclef Jean – Back for Another Carnival

Wyclef Jean – Back for Another Carnival
AMW !.e. Talent: DJ Single Handed
August 15, 2007

Look who’s dropping an album during an era where a lack of creativity equals immense popularity and radio and video play. That’s right, folks….one of the most creative and musically talented envelope-pushers on the planet: Wyclef Jean.

The Haitian-born rapper/singer/songwriter/producer/ambassador to Haiti/whatever-other-hats-he-can-possibly-wear is dropping his first album in four years entitled The Carnival II: Memoirs of an Immigrant. The album, slated to hit stores this fall, features production from Jean and his long-time partner Jerry “Wonda” Duplessis.

Jean states that he focused “a lot on the songwriting” and that this album “is a continuation of ‘Gone Til November’,” one of his hits from his first album, The Carnival.

The album’s first single, “The Sweetest Girl (Dollar Bill)” featuring Akon, Lil’ Wayne, and Nia, sounds like vintage Wyclef (which means it sounds great!). From the beat to the concept all the way down to how the supporting cast complements ‘Clef’s vocals, this song shows that the man is back!

Contributing vocals to the album will be T.I., Shakira, Norah Jones, Serj Tankian from System Of A Down, and Paul Simon. Yes, I said Paul Simon. The same guy who sang “You Can Call Me Al” and “Graceland” which I heard over and over again on every single road trip I ever took with my mother.

If Wyclef can do a song with Kenny Rogers and make it come off, then I trust his ability to collaborate with Paul Simon and anyone else in the world for that matter.

I’ll be looking forward to hearing Wyclef’s new carnival of sounds. I’m not one to start up speculation as to whether or not it will be as good as the first The Carnival album. As long as the music is good, then that’s all that matters. I hope to get another reggae-tinged song sung in Creole like “Jaspora” from his first album. That’s all I would need; the rest would be a bonus.

Oh, and so far it doesn’t look like any of his former Fugee group-mates will be on the album. Every time I hear Lauryn Hill’s name come up, it’s because she’s acting wacked out again. Every time I hear Pras’s name come up….oh wait, I don’t hear his name come up anymore. Maybe once John Forté comes home from prison, he’ll bring the group back together in typical “oooops, we nuts, baby!” fashion. Until then, it will just have to wait.

Source: Allhiphop.com

The Wu, A Beatles Son, and a Chili Pepper?

The Wu, A Beatles Son, and a Chili Pepper?
Andrea M. White
August 15, 2007

It’s hard to say if Beatles guitarist, George Harrison is looking down upon this with a slight grin of fatherly pride or if he’s rolling over in his grave, but it looks like his one-and-only son, Dhani Harrison has teamed up with the Wu Tang Clan to play acoustic guitar on the classic Beatles remake of “While My Guitar Gently Weeps.”

The 29-year-old who is also the lead guitarist of a band that he started in 2006, Thenewno2, began his music career when he finished an album his father was working on before his death in 2001. According to an interview with Rolling Stone, RZA spoke fervently about the Dhani/Wu collaboration, “He's the biggest Wu-Tang fan in the world. He knew all the kung fu shit! That's deep! I told him I would be honored if he played his father’s song."

Just when you thought this group effort couldn’t get any better, The Wu also got John Frusciante, guitarist from The Red Hot Chili Peppers to play lead on the classic remake, which will be titled, “Gently Weeps.” Wu Tang will rap over the Dhani/John recording, which portrays a heroine user/heroine dealer relationship. RZA explains, “Method Man portrays the victim, while Ghostface turns in one of the best lyrics I've ever heard him say."

Whew! I can’t wait, but I’m definitely not making any plans based on the newest release date which has been pushed back from this Summer to November of this year, and will probably be pushed back again before I’m finished writing this sentence. Despite my whining, it sounds like it’s definitely worth waiting for. The Wu seem to be taking this album to another level, with the help of a Beatle’s son and a Chili Pepper. Fans are holding their breath and wondering can they really pull off a BEATLES REMAKE? Hell, I say why not? Why can’t one of the greatest rap groups of all time pull off a musical rendition from the greatest pop band of all time? Oh well, enough of the questions, I guess until the release I’ll just thumb through my Wu-Tang manual and wait for the killer bee’s to arrive.

Pop, Goes the Timbaland!?

Pop, Goes the Timbaland!?
AMW !.e. Talent: Single Handed
August 8, 2007

Rap and R&B producer Timbaland is shifting his musical direction due to his present dissatisfaction with the state of the game. He told music-centric website Gigwise that he was “ready to throw in the towel.” While that was easily misinterpreted as a call to retirement, he will instead take a break from his genres of choice to focus more on producing pop music acts.

Timbaland has been working with British rockers Duran Duran, who came to fame in the 80’s and have continued to make music ever since. He has contributed tracks to their Red Carpet Massacre Album to be released late October. Timbaland’s protégé Nate “Danja” Hills says that the group “sounds better than ever.” The band’s keyboardist Nick Rhodes claimed that they were “really inspired.”

He is also supplying music for Celine Dion’s new R&B album. I can only imagine tracks that like Aaliyah’s “One in a Million” over songs such as Dion’s hit “My Heart Will Go On.” Rapper/singer M.I.A., who Timbaland has collaborated with, told the Village Voice of her conversation with the super-producer: "He told me, 'I'm done being cool; I want to work with Celine Dion.'"

Sounds like an awfully backhanded compliment to me, but I get his point and I’m finished digressing.

Timbaland’s recent work with Nelly Furtado and Justin Timberlake (and unbeknownst to me, songstress Bjork) should prove his ability to succeed in the pop realm. The man can attack any genre and infuse it with his signature sound. At this point, his contribution to the rap game can be limited at best. He has far too many successful crunk producers to compete with, and the crap producers account for most of the rest of those musicians who have the hip-hop world by its proverbial cojones.

Swizz Beats, if you’re reading this, I am not including you in this group of successful producers. Keep on shaking that tambourine!

Shifting his attention elsewhere is what Timbaland needs to maintain his interest in making music. Hopefully it will also be necessary for making good music so I don’t have to sit through another uninspired track like “She Wants It,” his recent collaboration with 50 Cent and a song I previously complained about.

Hopefully working with Duran Duran among others will make him “hungry like a wolf” again.

Rap Music is Lousy – What a Ludacris Statement!

Rap Music is Lousy – What a Ludacris Statement!
AMW !.e. Talent: Single Handed
August, 7 2007

I am absolutely thrilled to death about writing another article about a concerned citizen protesting a rap artist’s appearance at a concert (insert sarcasm here).

Ludacris is the latest rapper to be denounced due to his appearance at the Muzikfest concert in Bethlehem, PA on Saturday, August 4th. ArtsQuest, a local organization, is putting on the all-ages show with appearances by contemporary acts such as the Black Crowes and Lil’ Mama as well as legends B.B. King, Al Green, and Patti LaBelle among others.

Bethlehem NAACP president Esther Lee expressed her dismay about Ludacris’ appearance by saying: "All I know is he's a rapper, and rap music is lousy." She added: "The Bethlehem Area School District continually is trying to educate our youth, with student discipline being the greatest problem. Then on the heels of all the district's labor, Jeff Parks and Musikfest contracts with a personality who sings lyrics that add to parents' woes."

To address the rap music is lousy comment: I think the vast majority of country music is lousy. At the next opportunity, I will use my rights as a proud American to denounce the appearance of Garth Brooks at any festival in this country. Shania Twain is to be abhorred as well, because quite frankly, their music is lousy!

Now for the rest of her tirade: I would like for her to quote me any lyrics that add to parents’ woes. Has there been a study done amongst a group of parents that have added stress in their lives due to subject matter regarding licking women from their head to their toes? Did you know that the main cause of violence in this country comes from young kids exclaiming “Get back, motherf***er, you don’t know me like that?”

Oh, I know what’s getting her shorts tied in a knot: it’s the occasional appearance of meaningful material that addresses social issues, such as showing compassion for young abused women in the song “Runaway”. That has to be it!

(Abruptly end sarcastic rant here.)

Luckily, the show organizers have dismissed her claims. ArtsQuest president Kevin Parks commented that they “recognize that Hip-Hop is an important part of some people's culture. Our mission is to reach out to the entire community." Tom Kelly, ArtsQuest chairman of the board, added: “For several years, we have offered urban music, including rap and Hip-Hop, at Musikfest. There are many people in the community for whom this is an important musical style.”

I’m guessing that the powers-that-be will prevail and Ludacris will remain on the bill, for which I will be proud.

I do have to agree with one comment Ms. Lee made. Rap music is lousy, at least most of the music of today. Somehow, I don’t think she meant it in the same context that I did. From one old curmudgeon to another: next time, please come up with a better argument.

Source: Allhiphop.com

AGREE or DISAGREE...Let us know how u feel...comment if u please.

David Banner – The Philanthropist

David Banner – The Philanthropist
AMW !.e. Talent: Andrea M. White
August 1, 2007


Whether its the drama of Usher’s on-again/off-again engagement, the Mike Vick dog fighting controversy, or the competition for attention from Lindsey, Paris or Nicole, it seems like today’s young stars are competing constantly for negative press attention. This summer alone, there has been more than enough negative publicity from a variety of young actors, rappers, producers, etc; and the press has been diving into this pool of unconstructive behavior. Even the Fugees, everybody’s favorite rap trio, can’t seem to keep family business in the family. Amidst the controversies, back-biting, trash-talking and questionable celebrity relationships, it is always nice when we have a celebrity who defies the odds and does something encouraging and constructive that uplifts our community. My favorite rapper of the month has to be David Banner who constantly gives back to his Mississippi home.

Rapper/Producer/Composer, David Banner, who has contributed much of his time and money into rebuilding after Hurricane Katrina, took 80 kids from Stewpot Neighborhood Children's program in Jackson, Mississippi on an all expense paid trip to Six Flags in Georgia. What makes this so special is that many kids, especially here in the south; rarely get a chance to leave their neighborhoods, let alone their state. According to Stewpot Community Services Counselor, Sherry Adams, “The children that we serve at Stewpot would not normally be able to go on an 'out of town' trip. Most of the kids in the community have not been out of Mississippi. Because of Banner's love for our community, he makes it possible for our kids to travel outside of Mississippi, on a fun and exciting summer trip every year. David made it all possible because these kids don't have to pay a dime.” Banner supplied the troop with a bus, food, t-shirts and tickets to the park.
Though this story may not be considered newsworthy, especially in comparison to today’s standards that define celebrity news, this story is extremely special. It shows a side of Banner that will never be displayed or reported through traditional news mediums. It is also an everyday example of what many of our rappers, athletes, and singers are doing everyday throughout communities all over this country that will never be reported or discussed.

I say kudos to Banner and all those who take time out of their celebrity lives to give back and make a difference.
According to Eurweb.com, Banner, whose next album “The Greatest Story Ever Told” is due in October, has been sponsoring these trips to Six Flags since 2005, hoping to introduce the Stewpot kids to different environments.

The Magic of a Civil Rights Award winner

Magic Johnson – Civil Rights Award
AMW !.e. Talent: Andrea M. White
August 2, 2007

On July 24, Magic Johnson was named as a recipient of the National Civil Rights Museum Freedom Award. The museum holds this event each fall in honor of individuals who are significant contributors in civil rights and are future leaders for the fight for human rights. Individuals who have received the Freedom Award have had a global impact, or have impacted human and civil rights abroad. Some of the prior recipients of this award include Desmond Tutu, Nelson Mandela, Oprah and Bono.

Located in Memphis, The National Civil Rights Museum is actually the Lorraine Hotel, the site of Martin Luther King Jr.’s assassination. Magic was nominated by the museum for work he has accomplished since leaving the NBA, by promoting economic development, health care and education in low-income neighborhoods and “underserved communities.” Along with Johnson, other Freedom Award recipients include Dr. John Hope Franklin, James B. Duke Professor Emeritus of History, also the author of many books including his most famous, From Slavery to Freedom: A History of African-Americans, now in its seventh edition. President Ellen Johnson-Sirleaf, First female president of Liberia is also a recipient.

Magic’s resume is indeed impressive: Johnson Development Corporation includes Magic Johnson Theatres, T.G.I. Fridays, Starbucks, Washington Mutual (home lending), Canyon-Johnson Urban Fund (real estate), and the Magic Johnson Youth Foundation, which has established four HIV/AIDS clinics located in Los Angeles, Jacksonville, Oakland, and San Francisco. For all of his accomplishments and his fight to overcome the pitfalls that have affected his life, Magic Johnson is an iconic symbol for our community and highly deserving of the Freedom Award. For more information about The National Civil Rights Museum and/or the Freedom award recipients I encourage everyone to visit http://www.civilrightsmuseum.org.


editor note: Magic Johnson is truly an example of what we consider Amerikaz Most Wanted (read below for what we believe AMW is or visit amwie.com) who do you believe should be a civil rights award winner? please feel free to comment...

50 Gets Pushed Back to the Future

50 Cent’s New Album Gets Pushed Back to the Future- An editorial
AMW !.e. Talent: DJ single Handed
July 20, 2007

Fans of the infamous marketing and money machine known as rapper 50 Cent will have to wait just a little bit longer (again) for the release of his new album. Originally scheduled for a Labor Day release, the album entitled Curtis is now being pushed back a week due to the holiday weekend. Even after being pushed back several times already,a representative from 50’s camp commented that the “decision was made to push the release one week so that it is available everywhere at 10 am on (the) day of the release.”

The new album is rife with super-producers such as Dr. Dre and Timbaland and includes guest appearances from Eminem, Akon, and Mary J. Blige. I’ve listened to two tracks off the album already. If those give any indication of what’s in store, then we should expect typical 50 Cent.

I just hope that typical 50 Cent includes at least one or two legitimate club hits. Between “I Get Money” and “She Wants It,” he certainly doesn’t have one yet.

“I Get Money” cleverly samples “I get money, money I got” from Audio Two’s 1988 rap hit “Top Billin’.” The drums have been shamelessly jacked from Cassidy’s hit “I’m a Hustla” and remain virtually unchanged for this track. 50 raps about the money he has and the things that money has gotten him. It will at least get radio burn.

“She Wants It” features a satisfactory Justin Timberlake performance on the hook, 50 rapping about women again (a by-product of the money he’s got), and the weakest production that I have ever heard from Timbaland. I never ever thought I’d hear a sub-par, “blah” sounding beat emerge from his studios. I was wrong, so I’ll strap on my ice skates and traverse through Hell frozen over.

According to an interview in XXL, 50 thinks that he can still sell eight million records. His previous two albums have sold tens of millions worldwide. Too bad he’s now selling product in a marketplace where having a gold record is the new platinum. I also anticipate rap artists being signed to five and six ringtone deals due to extreme decline in album sales.

Unless he can once again completely monopolize the market (saturate is not a strong enough word to describe what happened when the G Unit brand first hit the map), who knows if he’ll be able to sell 800K, let alone eight million? With the seemingly imminent dissolution of the G Unit camp, we’ll see how relevant 50 still remains in the game, and largely on his own.

Even if he’s never successful again, at least he got rich and didn’t have to die trying.

Black British Music Crisis

Black British Music Crisis
AMW !.e. Talent: Andrea White
July 19, 2007

There seems to be an interesting debate stewing after the live showing of the Concert for Diana held in Wembley Stadium in Northwest London, in honor of Princess Diana who passed in a tragic accident ten years ago. The concert given by her two sons, William and Harry, had over 20 live performers, half of these coming from the U.S. including Puffy, Kanye West, and Pharrell. It was shown on every continent, except Antarctica. Though I did not watch the entire musical dedication, I did hear that Corinne Bailey Rae made an appearance, which was rumored to be a last-minute attraction. Also, Corrine does not appear on the official website as a featured artist www.concertfordiana.com.

Apparently the absence or lack of Black British artists during the Concert for Diana is being used as somewhat of a tool to show the world that there is a lack of respect for Black British music artists. Kwaku, founder of the Black Music Congress, which is a forum for highlighting British black music issues, networking, and a pathway to music industry education, has written a published letter to the two princes to express his concern. Though the letter is not harsh, he has stated that it may have been in oversight on the royal family’s part that no black British artists were included, and that he urges them to include these artists in any of their future events. According to Kwaku, “Britain is not short of well-known black artists. Artists such as Beverley Knight Lemar, Sway, Seal, Sade, Jamelia, Maxi Priest, Courtney Pine, and many more that have profiles comparable to many of the featured artists on the said bills.” I don’t know about you but I would trade one Sade song for Joss Stone’s entire performance any day.

One major problem according to Kwaku is that the traditional record companies have not invested the money and time in to black music artists, and they have certainly not developed any ideas on how to turn black artist into global-selling artists. There is at least one British record company that has examined its A&R development in order to develop black talent; however these artists are mostly signed to short-term deals because the expectation for the artists is usually low due to its confinement to the ‘urban’ genre. And without any global expectations, there are usually no resources to further develop these black artists.

It seems like black people all over the world are constantly in a fight for something. Whether it’s rights, equal opportunity, war or famine, black human beings are constantly subjected to the need to fight for what seems like the basic essentials, which include recognition and respect. I do not think that there were any underlying goals of excluding black British artists, but I do think that it was important to use the concert to bring bigger issues to light. In 2007, we are still dealing with the notion that blacks are not viewed as worthy according to corporate and pop culture. Kwaku said in another letter to British music companies, “What is good for British black music is ultimately good for the British music industry.” I think the American music industry would say amen to that, and I can only hope that Europe can develop more Seals and Sades to share with the world.




Source: www.eurweb.com

Miss Jones: Literary Genius or Tired Tell-All??

Miss Jones: Literary Genius or Tired Tell-All
AMW !.e. Talent: Andrea M. White
July 15, 2007

On the threads and throughout internet chat rooms there is a fine line where women stand either, defending or blasting this new, somewhat disturbing, somewhat intriguing trend of urban tell-all books. Amidst the literary tales of Carrine Stephans and her disturbingly romantic accounts of sex and pain with some of the industries A and B-list rappers, and the non-fictitious exploits of Carmen Bryan with her baby’s dad and his sworn enemy, comes yet another tell-all book people have been buzzing about from Miss Jones, morning radio host on Hot 97 in New York.

The book is titled, “Have You Met Miss Jones? The Life and Loves of Radio's Most Controversial Diva.” In this memoir, Miss Jones shares aspects of her life and career with readers, including what everyone is talking about, her bedroom tale-tales with rapper Busta Rhymes, which includes some unwarranted details regarding his performance and his lack of interest after “it” was over. (If you want to know the specifics, Google it or go buy the book.) It also includes more information about her open disdain for Beyonce along with drama between Lil Kim, Biggie and Faith Evans from back-in-the-day. This memoir is mainly an account of her rise to radio stardom.

What is interesting in all the chat rooms and vent sessions is how divided women are on the subject of Miss Jones and all of the other women who have written tell-all books. With no surprise, many women are simply stating that these books are garbage and irrelevant. These women say that this is just another way for a gold-digger to “come up” and it’s an obvious display of lack of respect and plain old ho-ism. On the other side, there are many women that are defending these women and their tell-alls. These defenders believe for years men have had their way with women using and abusing them to get what they want. Some of the authors of these tell-alls have been the subject of hit songs and have been used as pawns in a game where everyone is gaining except that woman. These women believe that finally, this is a way where the woman has a voice where people can finally know the other side of the story.

I understand both points; however we need to ask ourselves what is the real agenda of Miss Jones. What is the purpose of an educated, successful, fairly intelligent radio personality adding this specific and rather boring sexual encounter to her so-called memoir? How does this brief story of her relationship or lack thereof, show what she had to go through to make it in the tough business of radio? With Carmen Bryan it seemed like people really wanted to know her side, since she has been publicly bashed, it seemed only fair for her to respond. But with Miss Jones, the “shock-jock,” why did we need to know about this minor detail of her life? I think we all know the answer, and at the end of the day Miss Jones knows also – sex sells, even the boring, lackluster, pointless kind described in her memoir. Radio is a tough business, especially NY radio, and to make it to where she has is impossible for most. Miss Jones has rarely used her position to promote anything positive. This minute detail has derailed any helpful advice or any positive statement she could give to those out there trying to figure out the dynamics of radio and its corporate culture. Miss Jones has been the subject of much negative controversy, and this newest ploy for attention really puts some stank on her success. Miss Jones may sell plenty of copies of her memoir, but her status as a pioneer of radio seems sad and tarnished.

Still Crazy (Legs) After All These Years

Rock Steady Crew – Still Crazy (Legs) After All These Years
AMW !.e Talent: DJ Single Handed
July 15, 2006

I love when I get the chance to write about what’s right in hip-hop instead of expressing my laundry list of what’s wrong with it. This month’s anniversary celebration of the Rock Steady Crew is my opportunity to do just that.

Three decades after its inception, the crew of “true school” hip-hop heads is still going strong. Their 30th anniversary celebration will include exhibitions of the four elements, including DJ and b-boy and b-girl battles as well as panel discussions, art shows, and parties galore. Most of the events will be taking place in Manhattan and the Bronx starting July 23, and a free concert featuring EPMD will happen Sunday, July 29 at 1 pm at Lincoln Park in Newark, NJ.

Rock Steady Crew president and renowned b-boy Richard “Crazy Legs” Colon wants the anniversary to “focus on all aspects that make Hip-Hop the social force that it is. This is about education and entertainment. With crew battles, hot DJs, panels, and live graffiti shows, our 30th promises to showcase everything Hip-Hop represents.”

I can only hope that there’s still an audience for it. With any luck, there’s as much of a “below the mainstream radar” following as there was when I first attended a Rock Steady Crew anniversary as a college freshman in 2000.

Concerts in Manhattan featuring Dead Prez, Gang Starr, M.O.P., and Tony Touch among others were the highlights of my experience that year. The b-boy and b-girl competitions were amazing to watch. I even got my first taste of Reggaeton before it hit the American mainstream as Ivy Queen, Daddy Yankee, and Mexicano 777 took the stage to perform their track off Tony Touch’s “Piecemaker” album.

I will, at the very least, attend the EPMD concert and see if there’s still a connection between me and the art form that gave me a voice in the first place. If not, I guess I’ll continue spitting my brand of disgruntled old man “music was so much better when I was your age” rhetoric. At least for as long as the upper management at AMWie tolerates it.

Source: Allhiphop.com

Speak On It, Mr. Cosby, Speak On It!

Speak On It, Mr. Cosby, Speak On It!
AMW !.e. Talent: DJ Single Handed
July 2, 2007

The iconic actor/comedian/advocate Bill Cosby has been extremely vocal about his dissatisfaction with the happenings in Philadelphia’s urban communities. He can often be found serving biting criticisms of the city’s residents, citing lack of responsibility on the part of parents and all community members as the cause of constant violence. In an article published on the grass roots web-based newsletter Free Republic, Cosby was quoted as saying "For me there is a time ... when we have to turn the mirror around…..Because for me it is almost analgesic to talk about what the white man is doing against us. And it keeps a person frozen in their seat, it keeps you frozen in your hole you're sitting in."

Cosby recently hosted a form at Temple University’s Center City Campus in downtown Philadelphia. He along with several professors addressed education students about violence in schools. He stressed the fact that anti-violence programs are necessary for not only the safety of the students but the teachers as well. The teacher retention rate is becoming much lower because they become frustrated and no longer feel like they can do their jobs.

Cosby’s poignant point of the night: "Programs are being pushed out because people don't care about the children. If they don't care about the children, then they don't care about the teachers."

I can’t possibly understand how people don’t care, but on the other hand, I do understand.

I can’t understand how people don’t care about the well-being of their own communities as well as others. Having the opportunity to get a good education is one of the central building blocks to a person’s success. It not only provides the knowledge needed to “get through life,” but also a sense of fulfillment necessary to instilling solid self-worth, which is an excellent antidote to violence.

Teachers, administrators, and all others in the education field should be our greatest, most important asset.

On the other hand, the fact that I can’t feel how all this affects me directly lessens the priority for me to spring into action and do something about this situation. I live in the suburbs of Philly and can easily go about my daily business since I only see what’s going on when I watch the 11:00 news. I know many others who have the same affliction.

I am a stereotypical Jew in some ways, which explains why I’m looking to get my master’s degree and teaching certification so that I can teach high school. The Jew would love to provide a good education for those who need it most right now. The other side of me worries about becoming just as frustrated and disillusioned as the current crop of teachers and eventually contributing to the attrition rate.

Only time will tell. Hopefully, I along with other current and future educators can put our idealistic goals where our mouths are.

Source: Eurweb.com

Freeman to Play Mandela!!!

Freeman to Play Mandela – Yess!!!
AMW !.e. Talent: Andrea M. White
July 2, 2007


Man, this HAS to be the most perfect casting role of all time. Oscar winner (and frankly one of the stars of one of my most favorite movies, Shawshank Redemption), Morgan Freeman will portray Nelson Mandela in a feature film, “The Human Factor,” based on a book of the same title written by John Carlin. Freeman’s production company, Revelations Entertainment, announced that they will start film production in 2008.

Freeman stated that he has known the former President of South African and Nobel Peace Prize Winner for many years. Freeman says, “I am continually in awe of his enormous presence in the world. The opportunity to portray him in this film is a great honor.”

This is just truly exciting news; there is no one who can bring Mandela to the screen better than Freeman. Mandela’s story is powerful and sad at the same time. Mandela was the face of the anti-apartheid movement; he was also the leader of the African National Congress. Mandela led the struggle for equal opportunity and equal representation in government, and sympathizers of apartheid called this peaceful leader a terrorist and a communist. The courageous leader of equal rights was unfairly and unjustly sentenced to a twenty-seven year sentence (sidenote - The arrest was allegedly made possible because the CIA tipped off Mandela’s whereabouts.) After twenty-seven years behind a cell, he was released and succeeded at creating an anti-apartheid, democratic, equally represented government in South Africa. This is just a slight summary, but there are so many people that do not know the story and the shady details; it is important that this story is told. It is important that we Learn and Remember.

If you can’t tell already, I’m excited about this movie and there is no one else who could play this role other than Morgan Freeman. Everyone get on your knees and pray that this movie does not meet the long-awaited fate of Marvin Gaye and Miles Davis’ movie - (whassup Jesse L. Martin and Don Cheadle). Support Black Film and as always, It is important that we Learn and Remember!

Busta Rhymes Leads the New School Once Again

Busta Rhymes Leads the New School Once Again
AMW !.e. Talent: Dj single handed
July 1, 2007

Longevity in hip-hop is not something that artists can expect these days. The shelf-lives of rappers and songs have hit an extreme, attention deficit-induced low. There must be a prevalent “cash in now with a catchy single and then get the hell out” mentality, because there’s no other explanation for the increase in “here today, gone tomorrow” songs and artists.

Hip-hop legend Busta Rhymes is out to shatter this conception by releasing his 86th (it’s really only his eighth, but I’m talking in present-day measurements) album. Celebrating his 17th year in the game, he’s working on a new album with no set release date. A recent article in Allhiphop.com claims the album is untitled at press time, but MTV.com published an article last November claiming the title to be Before Hell Freezes Over. That would certainly follow the themes of previous album titles such as Extinction Level Event, Genesis, and his most recent work The Big Bang.

The album will be released on Dr. Dre’s imprint, Interscope-distributed Aftermath Records, with production from the good doctor himself as well as Swizz Beatz among others. Swizz blessed Busta’s first single from the album, “Watch Ya Mouth.” I took a listen to it, and it should be an unquestionable banger. As inconsistent as Swizz has been in the past, he’s had a habit lately of making beats that would make the average person’s head fall off from nodding so hard. This song is no different, and Busta rides it with his usual smooth ferocity.

I hope to hear Busta Rhymes in true form when the album drops. I predict club hits, street joints for the more hardcore audience, and perhaps an apocalyptic theme or two. If I don’t get the same amazed feeling that I did when I first listened to “Put Your Hands Where My Eyes Can See,” then I’ll settle for wilding-out to “Touch It”-type material.

Lil Wayne; our newest Reality Internet TV Star?

Lil Wayne; our newest Reality Internet TV Star
AMW !.e. Talent: Andrea M. White
July 2, 2007


I have to admit I am almost impressed with the promotion and marketing exploits of rapper Lil Wayne. As if we can’t get enough of him on just about every remix or guest star appearance on someone’s album, Lil Wayne continues to prove he can be ground-breaking at any level. According to Billboard.com, Wayne’s newest project is an online Reality Series titled, "Making the Next Hit! With Lil Wayne,"

In this series, Lil Wayne and Cash Money Records are in search of unsigned, unknown rappers, models, producers, singers, and comedians. There are 27, hour-long episodes produced by MC Busy Bee and Pit – known for the recent hit “Party Like a Rock Star” by Da Shop Boyz. Auditions are being held beginning August 12 in Philly followed by events in Atlanta, New Jersey and New York. At the end of the series they will select a winner that will have the opportunity to sign with Cash Money Records.

With more Lil Wayne news, his duet CD with Juelz Santana has been pushed back for reasons that were undisclosed. Their CD is set to be titled “I Can’t Feel My Face” and Lil Wayne promised that there should be a single out some time in July.

Last but not least, Wayne released a You Tube Official Announcement regarding the leaking of his up-and-coming album, “Tha Carter 3.” To prove that he’s no prisoner to piracy, Wayne will release the leaked tracks in a mixtape called “The Leak”, and will develop a bigger and better release in 2008 for “Tha Carter 3.”

Lil Wayne is becoming a lil monster in this industry and is really proving that he’s able to keep Cash Money alive for right now. I’m actually interested in seeing how the series “Making the Next Hit! With Lil Wayne," on TheNext.TV will perform. He could either take this reality show thing to the next level or make us cringe with embarrassment. Either way, the young rap star has the game on his back has definitely proved that he’s the one to watch.

Stop dem Merda Music!?

Stop Murder Music Campaign
AMW !.e.: Andrea M. White
June 15, 2007

Though we have all sang and partied to many reggae lyrics over the years, I don’t believe we have maintained a true understanding of what some of the widely popular songs were really stating and the affect they would carry in years to come. Songs like Buju’s “Boom Bye Bye - rude boy nah promote no nasty man, dem ah fi dead" and Beenie’s, "Bad Man Chi Chi Man," are just a few tunes that ignited any party each time they would boom through the speakers. To be honest I’m bobbin my head just thinking about the songs right now. Unfortunately, we have failed to address the long-term consequences these songs have held throughout the years and how these lyrics are currently putting the livelihood of artists such as Buju Banton at risk today.

There has been a Stop Murder Music campaign also called The Reggae Compassionate Act launched by gay-activists, the campaign’s purpose is to "respect and uphold the rights of all individuals to live without violence due to their religion, sexual orientation, race, ethnicity or gender.” Beenie Man and Sizzla are the only two artists so far that have signed-on for the campaign so far which invites all people to listen to their music without the fear of violence. This is probably a good move for Beenie who has already had some of his engagements cancelled because of the lyrical content in a few of his songs. However, a number of other reggae acts have not signed up for the campaign, including Elephant Man, TOK, Bounty Killa, Vybz Kartel, and Buju Banton.

Speaking of Buju, he has experienced some heavy backlash while on tour promoting his album “Too Bad” – revered as one of the best albums of his career. His appearances in Oakland and San Francisco were cancelled after gay protestors urged concert goers not to support the artist. The criticism is due to the highly popular song “Boom Bye Bye” which placed the artist on the map.

Even after an agreement had been brokered by OutRage – a British gay activist organization and the Jamaican Government – Buju is not feeling the fact that he is being censored. The agreement states that several artists, including Buju, would agree not to perform songs with homophobic content. However at Miami’s Reggae Festival earlier last year, Banton performed a bit of "Boom Bye Bye," unfortunately for him the 45-second video was posted on YouTube which continued to outrage the gay community.

Journalist Eric Arnold said it best, “the album "Too Bad" has no crossover appeal. There are no high-profile collaborations with American rappers or R&B stars, no hip-hop remixes -- and, it should be noted, no misogynistic or anti-gay lyrics.” So give my boy Buju some credit; although he is stubborn he has grown as an artist (somewhat).

Though I may not agree or relate to certain lifestyles or preferences, there is something to be said for what these activists are trying to do within the music industry. They are demanding respect and making plenty of noise doing so. I’m sitting here trying to figure out why the black community hasn’t started our own Stop Murder Music campaign? After all of the songs we’ve sung celebrating violence and disrespect in our own music, where are our community demands and our boycotts of concert venues and radio stations? Oh well, I guess we’ll just continue bobbin our heads until another Imus comes and ruffles our feathers.

Source: Eurweb.com

First Black Formula 1 Winner Lewis Hamilton

First Black Formula 1 Winner Lewis Hamilton
AMW !.e. Talent: Andrea M. White
June 15, 2007

Yes we need to know this, not only because it’s important but this is a billion dollar industry that not enough African-Americans have their hands in. Okay, no I don’t watch NASCAR or Formula One racing, but I always find it fascinating when I hear the President of Operations for Dale Earnhardt Inc., African American Max Siegl promoting NASCAR, or when I hear that a 22-year-old rookie, Lewis Hamilton is the first Black driver in history to win a Formula One (Grand Prix) victory at the Canadian Grand Prix.

F1 racing is the highest class of racing defined by the Fédération Internationale de l'Automobile (FIA), racing’s governing body. There are a number of races held throughout the world from Bahrain to Malaysia, which are called Grand Prixs and all winners are brought together to compete in the World Championship – basically this is the Super Bowl of racing.

Hamilton has had a long career with the Mercedes Corporation and won the F1 race in his Mercedes McLaren. Norbert Haug, Vice President, Mercedes-Benz Motorsport commented how "Lewis is a gifted driver who proved his talent with two consecutive title wins - 2005 in the Formula 3 Euro Series in a Dallara Mercedes and this year in the GP2 Series. McLaren and Mercedes-Benz have supported Lewis already for nine years. He was half as tall as he is today when he started in karting.”

Sources stated that after Hamilton crossed the finish line, he jumped out of his car racing toward his crew and hugging everyone in site, the 22 year-old simply stated, "I'm just having a fantastic day. This is history." For more info on African American racing heroes, check out http://www.nascar.com/2005/kyn/02/14/bhm.2/.

Thank Heaven for the Reverend!

Thank Heaven for the Reverend!
AMW !.e. Talent: Dj Single Handed
June 16, 2007

Positivity being promoted over the airwaves owned by big corporations is not something you see very often. On the surface, the hi-jinks and hilarity are the main highlights of the primetime MTV reality series Run’s House, starring Joseph “Reverend Run” Simmons of the pioneering rap group Run DMC and his family. However, you can’t help but notice Run’s qualities as a doting spouse to his wife Justine and father figure to his five children. Add in his words of wisdom that conclude every show, and you have an extremely positive role model who’s footsteps the younger generation can follow.

Allhiphop.com recently reported that Run signed a million dollar book deal with Gotham Books and will release a new book about family issues. Topics such as parenting tips and methods of maintaining a close-knit family will be featured in Run’s latest work. The release of the book will be accompanied by a promotional tour as Run and Justine spread their wisdom to the masses.

The potential of this book could be huge. I’m not even talking from a business or sales stand-point; I’m speaking more from the social and “good for humankind” side of things.

Reverend Run, the epitome of old-school rapper, is just as relevant to the youth of today as any of these new-jack rappers with chart-topping hits. There’s a highly likely chance that kids will pay attention to what he has to say. If his message is well-received, perhaps the concept of family can retain its conduciveness to health, growth, and prosperity.

For every child that somehow falls victim to the ills of the streets and all of its various underlying causes, we often ask: “where are the parents?” Where are the parents to provide that child with a sense of family that they now seek in a street gang? Where are the parents to teach alternative solutions to violence? Where are the parents to instill a sense of self-worth in their children so that they can strive for the best and don’t feel as though they have nothing to lose?

Perhaps I’m being overly optimistic with the results I expect. However, I’m completely up in arms for anything that promotes a positive message as opposed to glamorizing and encouraging nonsense. In the celebrity-obsessed culture which has engulfed the United States of America, I can only hope that we become fixated on the lessons that Run has to teach. We probably already know or have at least heard of most of what Run has to say. I just hope we take notice.

Canibus is Back?

Canibus is Back and Ready to Rhyme…’Til the Meter Says 9-9-9-9
AMW i.e. Talent: DJ single Handed]
June 15, 2007

The man who was supposed to be hip-hop’s lyrical savior and flew off the radar just as quickly as he arrived is back again with another offering. Canibus’ new album, For Whom the Beat Tolls, has been released through 101 Distribution and his own imprint, Mic Club Music.

According to Hiphoppress.com, guest appearances include Vinnie Paz from Jedi Mind-Tricks, Wu-Tang brethren GZA and Killah Priest, and former EPMD-led Hit Squad member K-Solo. Production duties will be held by Scram Jones, J. Wells, Moss, Zinn Deadly and the Capital Gang Movement.

I am willing to give this album a shot. That’s something I haven’t done since his first album was released.

Way back when I was an 18-year-old obsessive advocate of all things hip-hop, I was looking forward to the album to end all albums. Canibus had showed his extreme lyrical dexterity on several other artists’ offerings, such as “Making a Name for Ourselves” by Common; “Desperadoes” by The Firm; “Beasts from the East” by A+, Mr. Cheeks, and Redman; and “4, 3, 2, 1” by LL Cool J featuring everyone and their grandmother. Not to mention the fact that Canibus had a few songs of his own, such as “How We Roll” and “Second Round Knockout” A.K.A. “Screw LL Cool J.”

The album dropped, and it was plagued with two large problems. Wyclef’s production fit Canibus’ rhymes as well as my shoes would fit Shaq (I’m a size nine-and-a-half). Some of the concepts and lyrics behind the songs were, for lack of two better words, out there. While I found it quite creative when Canibus rhymed from the point of view of a sperm getting ready to fertilize an egg, that sentiment wasn’t shared by many of my peers. Mathematical and extra-terrestrial musings littered the album and turned it into a snooze-fest for many.

The title of the new album’s first single, “Secret of the Cosmonauts,” likely proves that Canibus hasn’t changed a bit.

I will gladly give it a listen. Due to my disappointment in his initial release, I never listened to much of his subsequent material. What I did hear wasn’t as thrilling as when he first came on the scene. I give him credit for not giving up despite minimal mainstream success. Perhaps this is what I need simply due to the fact that there isn’t much else out there right now. I need something to hold onto. To believe in. Or at least listen to without cringing.

I hope Canibus is back to his old form of being an “animal with a mechanical mandible, ready to damage you, spittin’ understandable slang at you!”

Nickelodeon Hero keeps making strong moves

Cannon Takes Home Cannes Film Festival Honor
AMW i.e. Talent: Andrea M. White
June 1, 2007


It seems as if our little Nickelodeon Hero keeps making strong moves throughout the industry. One of the four events of the Cannes Film Festival, STUDIO Magazine/Chopard Revelation Awards, presented Cannon with the highly recognizable and prestigious "Breakthrough Actor of the Year Award" for his groundbreaking work in the critically acclaimed film "BOBBY," directed by Emilio Estevez. Nick Cannon has made history as the first African-American actor to receive this honor.

Jude Law presented the award to Cannon who will be sharing his impressive honor with James McAvoy (The Last King of Scottland.) Cannon in his speech stated,

"I am humbled and grateful to have received such a coveted award by STUDIO Magazine and Chopard at this prestigious event at the Cannes Film Festival" said Cannon. "It was a great privilege to have been a part of the amazing ensemble cast of "BOBBY" and now, to be recognized amongst such tremendous talents as Evan Rachel and James is truly an honor."

For those who may need a little schooling, the Cannes Film Festival receives over 30,000 actors, directors, producers, etc. throughout the film industry along with over 4000 journalist, making it the largest and most acclaimed film festival worldwide. The festival is an annual event held in Cannes, France. What makes this affair such a big deal is that it not only evokes the honor and pride of being nominated, but it also creates a wide-spread sense of prestige throughout the world for all recognized with a Cannes honor.

Cannon, professional comedian, youngest executive producer of his own Nickelodeon show, film star, oh yeah – of course he’s a rapper too, who has also signed the largest production deal in MTV history – this guy is like stealth, it seems like he came out of nowhere and he continues to recreate himself with each step. For all those who ever thought this guy was corny, just watch his resume and take notes.

Lyrics as Evidence in a Courtroom?

Lyrics as Evidence in a Courtroom?
June 1, 2007
AMW i.e. Talent: DJ single Handed

Earlier this month, Allhiphop.com reported on a multi-million dollar civil lawsuit filed against “This is Why I’m Hot” rapper Mims. A young woman named Marquita Blair filed suit when Mims failed to show up for a scheduled concert after receiving a $2,500 down payment from her to go towards his appearance that night. Blair cites his misogynistic attitude towards women as the reason for his absence, accusing him of a “pattern of conduct involving the belittlement and degradation of females as 'b***hes and hoe's." Mims’ lyrics are quoted in the lawsuit as well.

As a famous line in many hip-hop songs goes: HOLD UP, wait a minute!

I seriously hope Ms. Blair has more evidence to back up her accusation than his song lyrics. Did they have face-to-face or phone contact when Mims belittled her? Does she have witnesses to back up her claim? Is there any other reason at all to believe that he snubbed her because he looks down on women?

Are any of Mims’ degrading lyrics even admissible as evidence in a court of law?

Lyrics have been on trial before with little to no success. Tupac’s lyrics incited a teenage boy to kill a Texas police officer. West Coast rapper C-Bo was arrested for violating his probation by releasing his album “Til My Casket Drops.” The lyrical content was said to be in violation of part of his parole, which stipulated that he may not promote or encourage violence in any manner. Even beyond the hip-hop scope, lyrics from a song by heavy metal band Judas Priest were said to have caused the suicides of two young men. The whole defense was built around a perceived subliminal message in the song which urged listeners to “do it,” meaning to pull the trigger.

The charges were dropped in all three cases due to lack of merit and first amendment protection.

The aforementioned cases dealt with extremely serious issues, two of which had grave consequences. Using lyrics to prove misconduct due to misogyny is frivolous and shows more than just a bit of greed. This woman wants $7.5 million? I could understand if she wanted to recoup the expenses that it took to put together the concert, which I doubt cost nearly that much. Charging Mims with not fulfilling his part of the contract has enough merit by itself.

I’m guessing the other $7,450,000 is for “punitive damages,” “pain and suffering,” and any other terms synonymous with “extra stuff to tack on to the lawsuit that I learned while watching the ‘People’s Court.’”

If Ms. Blair does truly have a case with enough supporting evidence, then I stand corrected and wish her luck. If she’s just extra salty about Mims missing a concert date, then I urge her to not let vindictiveness cloud her better judgment. As a DJ, I’ve opened up for other DJ’s and artists who have not shown up to the gig. Wait a minute, I guess that means I didn’t actually open up for them, did I? The point is, it happens. Deal with it and go for what you’re entitled to and not a penny more.

Then again, I must admit that this young lady is doing something I’ve wanted to do for a while now: suing Mims over his lyrics. I’ve wanted to sue that guy for lack of evidence to prove why he’s actually hot. The fact that I ain’t cuz I’m not just isn’t good enough for me.

Bush Officially Recognizes Black Music Month

George B Officially Recognizes Black Music Month
AMW !.e. Talent: Andrea M. White
June 1, 2007

We have breaking news...This just in (haven’t you always wanted to say that), President George W. Bush has just released a proclamation announcing that the month of June will now and forever more be recognized and acknowledged by the country as Black Music Month.

Yes, I know what you are thinking, all the BET commercials, and all the radio promos??? Yes we have been recognizing June as Black Music Month for at least the last five years. Well today you can put a stamp on it and make it official, because today marks the federally recognized first day of Black Music Month.

For those of you who may need to write a term paper on the subject, or perhaps you make an appearance on Jeopardy, here is the official proclamation from GDub:

During Black Music Month, we recognize the outstanding contributions that African-American singers, composers, and musicians have made to our country, and we express our appreciation for the extraordinary music that has enriched our Nation.
The music of African-American musicians has helped shape our national character and become an important part of our musical heritage. Often born out of great pain and strong faith, that music has helped African Americans endure tremendous suffering and overcome injustice with courage, faith, and hope. By speaking to the human experience and expressing heartfelt emotion, African-American artists have inspired people across the generations in America and around the world with their vision and creativity.
This month is an opportunity to honor the men and women who have created some of the best music America has ever produced. Great musical talents such as Ray Charles, Louis Armstrong, Mahalia Jackson, Ella Fitzgerald, Duke Ellington, and James Brown have enriched our culture with innovative talent and artistic legacies that continue to influence musicians today. We remember so many wonderful artists and celebrate the achievements of black musicians whose work reflects the diversity of our citizens and lifts the human spirit.
NOW, THEREFORE, I, GEORGE W. BUSH, President of the United States of America, by virtue of the authority vested in me by the Constitution and laws of the United States, do hereby proclaim June 2007 as Black Music Month. I encourage all Americans to learn more about the history of black music and to enjoy the great contributions of African-American musicians.
IN WITNESS WHEREOF, I have hereunto set my hand this thirty-first day of May, in the year of our Lord two thousand seven, and of the Independence of the United States of America the two hundred and thirty-first.

GEORGE W. BUSH

Man, if he had only read that proclamation with UGK/Outkast’s “International Players Anthem” playing in the background, it would have made it a lot more meaningful. Oh Well, Happy Black Music Month to everyone!